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Reviews for my second book, That Guy in Our Women's Studies Class, continue to come in at a slow trickle. I missed this one when it first came out in January, and discovered it while doing a vanity search on Google just the other day.

Margaret Adelle provided a review in both video and written (Goodreads) form.

It's not exactly a round of applause for the book.

I tend to think it is bad form for an author or other artist to react or respond to negative reviews, because it tends to come across as resentment that anyone would be anything other than impressed with the piece and makes one look thin-skinned and unable to tolerate criticism. I'm going to risk it this time because Margaret Adelle brings up some salient points, even if I don't agree with them all fully.

There's one central aspect of Margaret Adelle's commentary that I want to react to in particular: she sees me, or at least the "me" represented as Derek in my book, as intruding into women's space, and doing so rather arrogantly and cluelessly.



There exists an attitude: that, hey, if I identify as a woman or a female or as femme or girl or whatever, I therefore get to go into any place that is earmarked and designated for them and their use. Or, rather, us and OUR use. That if that's my identity, it would be blatant bigotry for anyone to question my presence and participation there.

Well, sometimes that is arrogant. I know many of my trans sisters and brothers will be appalled to hear me say so, but I do say so. It is sometimes even true even if your marginalization or oppression is worse than what cisgender women face. (Or you think it is). Not that your -- or my -- presence in such spaces is always inappropriate, just that oversimplified "answered it for all situations and for all time so I don't need to even think about it" types of answers are indeed arrogant. In the board game Monopoly, you can acquire a Get Out of Jail Free card, but when it comes to marginalization and intersectional oppression nobody gets a "Gee I'm Oppressed So I'm Automatically On the Right Side" card.

Margaret Adelle finds me (or, rather, the me that I was in 1985) arrogant in assuming that because I was marginalized as a sissy femme, I have every right to use academic women's studies as a springboard for trying to make a social movement for sissy femmes like me come into existence. That I was entitled to go into those classrooms and start speaking as an authority. That I was entitled to get credentials in women's studies and start speaking from within feminism itself as a self-designated spokesperson (spokes-sissy?) for these concerns.

As she points out, the story arc concludes with me realizing that I can't. That feminism is not my movement, and that I need to find a different way to have a voice in society. But she has limited patience with my process of getting there.

Is there not a middle ground for acknowledging that as a person with no social place at all to go, I had some latitude for taking my issues into the spaces where I took them, while also seeing that at least in some cases I was intruding into spaces that were not where I belonged?


Among the other concerns that are a part of the axe I brought to grind are matters of courting and flirting and pursuing sexual relationships. Here, too, I was approaching these matters as a femme, evaluating my thoughts and deeds as if I were a girl like any other girl in my priorities and needs, but in the passages where I've written of such things -- the trajectory of my attempts to have a girlfriend in my life -- this critique evaluates me as a man who expresses an indignant sense of entitlement, a man who clearly thinks intimacy ought to be coming my way because I'm oh so feminist and sensitive and stuff. Creepy.

Some similar comments were elicited by some other reviewers when they were reviewing my first book, GenderQueer, as exemplified by the January 2021 panel discussion hosted at Kramer's Bookstore.

The conceptual space in which the romantic interests and behaviors of girls might be assessed by others isn't exactly the same kind of "women's space" that is entailed by a classroom or an activist movement, but undeniably I was doing my best to lay claim to it, asking that my behaviors and priorities be evaluated in the same way that those of a female person of the same age would be looked at, but this, too, is perceived by some as arrogant: those same behaviors are turned and examined instead as the behaviors of a male person who protests that since he is such a sensitive feminist kind of fellow, he is owed some romantic outcomes that aren't happening, and he's all bitter about it, and it's not a good look.


At least some of that is a fair cop. I am indeed headstrong, and I have spent most of my life focused on my stuff, defining it as a social cause, but undeniably it is all about me. That is part of what the book's about: that being marginalized doesn't give a person (in this case, me) carte blanche.

I dared to think of myself as one of the girls, and to evaluate my own self accordingly. Some of the outcome of that may have been intrusive and arrogant, but I think on balance it was liberating for me at a no-more-than-reasonable cost to the rest of society.

The burden is on me to make the case for it, of course.


—————


My first book, GenderQueer: A Story From a Different Closet, is published by Sunstone Press. It is available on Amazon and Barnes & Noble in paperback, hardback, and ebook, and as ebook only from Apple, Kobo, and directly from Sunstone Press themselves.


My second book, That Guy in Our Women's Studies Class, has also now been published by Sunstone Press. It's a sequel to GenderQueer. It is available on Amazon and on Barnes & Noble in paperback and ebook, and as ebook only from Apple, Kobo, and directly from Sunstone Press themselves.

My third book is deep in second draft, and I'm seeking more beta readers for feedback. It is provisionally titled Within the Box and is set in a psychiatric/rehab facility and is focused on self-determination and identity. Chronologically, it fits between the events in GenderQueer and those described in Guy in Women's Studies; unlike the other two, it is narrowly focused on events in a one-month timeframe and is more of a suspense thriller, although like the other two is also a nonfiction memoir.Contact me if you're interested.






Links to published reviews and comments are listed on my Home Page, for both published books.

———————

This DreamWidth blog is echoed on LiveJournal and WordPress. Please friend/link me from any of those environments on which you have an account.

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I haven't had any book reviews of my books show up in quite some time, so I was pleased to get a notification that Amanja Reads Too Much, a book blogger with a long pending stack of books to read, had gotten to That Guy in Our Women's Studies Class and her review was now up.

---------------------------------------------------

February 2, 2023

I previously reviewed Allan D. Hunter’s first memoir, GenderQueer: A Story From a Different Closet. This book is a follow up that focuses more on his status as “outsider” all the way from high school, to college, grad school, and beyond....

Interested in feminism he enrolled in college as a women’s studies major. He stood out as the only male in any of his classes. Some women welcomed him as an enlightened male, others took objection with a perceived invasion of a woman’s safe place.

That Guy in Our Women’s Studies Class candidly discusses social issues beyond feminism as it also explores race and class struggles. Hunter is honest and open about his time spent homeless and “in the system.”...

For those who aren’t part of the LGBTQ community it will be upsetting to learn that there is a lot of infighting still going on today. Well, it’s upsetting to those of us in the community as well. Hunter experienced it through being genderqueer, I’ve faced it through being bisexual (why don’t you just pick a side?!), and many others experience it from other angles. Even outsider groups are not immune to judgement and discrimination...

Hunter is a strong writer and the memoir is a surprisingly quick read. Both of his books are strongly recommended for anyone looking to branch out their reading list to more than just one closet

(snippet; for full review click link below)

AmanjaReads

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Speaking of my books, I am still seeking interested readers to read my third book, a work-in-progress now in the midst of second draft (working title Within The Box), and give me feedback. I'm particularly interested in getting beta readers from these demographics:

• People with any connection to women's studies or feminism, especially if their connection dates back to the heydays of the second wave, 1970s-1990s.

• Anyone from the psychiatric rights / mental patients' liberation community.

• LGBTQIA folks, especially those who participate in organized gender politics

• Currently or formerly homeless, or homeless advocacy workers, or people who provide services to same

• People who provide services to folks with psychiatric diagnoses, especially residential services

If you're interested, shoot me an email, a PM, or post a reply.

—————


My first book, GenderQueer: A Story From a Different Closet, is published by Sunstone Press. It is available on Amazon and Barnes & Noble in paperback, hardback, and ebook, and as ebook only from Apple, Kobo, and directly from Sunstone Press themselves.


My second book, That Guy in Our Women's Studies Class, has also now been published by Sunstone Press. It's a sequel to GenderQueer. It is available on Amazon and on Barnes & Noble in paperback and ebook, and as ebook only from Apple, Kobo, and directly from Sunstone Press themselves.


My third book is now in second draft. It is provisionally titled Within the Box and is set in a psychiatric/rehab facility and is focused on self-determination and identity. Chronologically, it fits between the events in GenderQueer and those described in Guy in Women's Studies; unlike the other two, it is narrowly focused on events in a one-month timeframe and is more of a suspense thriller, although like the other two is also a nonfiction memoir.






Links to published reviews and comments are listed on my Home Page, for both published books.

———————

This DreamWidth blog is echoed on LiveJournal and WordPress. Please friend/link me from any of those environments on which you have an account.

————————


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This spring, my second book, That Guy in Our Women's Studies Class, went to press.

I had the distant vague hope that, unlikely as it seemed, maybe this book would catch fire and then draw attention to my first book. But that was not to be. As I'd more realistically expected, the tale of a male student majoring in women's studies was less topical and less engaging than the tale of a genderqueer person's coming-out.

I won't deny that it's been frustrating and disappointing. I made effort and I stuck money into the effort. I could probably have obtained more readers if I'd stood in Central Park with a pile of my books and offered folks $20 if they'd be willing to read and review my book. Every now and then, someone does something and it attracts attention and goes viral and at a certain point people want to know all about not not for its own sake but in order to not be left out of what everyone else is paying attention to. But either it is utterly random or I don't have the skillset and intuition to make that happen. Even the more trendy and topical book, GenderQueer: A Story From a Different Closet, never made the social ripples I wanted to make.

But you know what? I have a good life. I get to have a wonderful partner, and to be a participant in a continually fulfilling relationship, which is, when you stop and think about it, what the first book was all aimed at: that people like me are generally deprived of that opportunity. I figured enough stuff out to understand how to seek it and recognize it when I found it; I did have a learning curve (same as everyone else does, really: how to be a good partner, how to balance my own individual needs with what a relationship needs) but my understandings and realizations let me step up and participate on the same general basis as anyone else despite being rather differently configured.

I'm sorry I wasn't better able to share it and make a social presence of this sense of identity, but it works, it's real, and I personally do get to reap the benefits.


I just sent out a little batch of "well, well?" follow-up notices to various people who had indicated they'd review my (second) book if I sent them a copy, but who didn't follow through. I would like to harvest at least a few more reviews for my web page.

I am definitely glad I wrote the books, not just for whatever good they do other people, but also to stave off any sense of regret I might have otherwise felt that I didn't try hard enough, didn't really do anything with my life. I set out to make sending this message to society my mission in life and I've made a credible effort, and I don't owe the world any ongoing self-sacrificial obsessive attempts. Doesn't mean I won't make further attempts, mind you, I can if I feel so inclined, but overall I feel pretty good about having stood up and defined myself and lived the life I've lived.

—————


My first book, GenderQueer: A Story From a Different Closet, is published by Sunstone Press. It is available on Amazon and Barnes & Noble in paperback, hardback, and ebook, and as ebook only from Apple, Kobo, and directly from Sunstone Press themselves.


My second book, That Guy in Our Women's Studies Class, has also now been published by Sunstone Press. It's a sequel to GenderQueer. It is available on Amazon and on Barnes & Noble in paperback and ebook, and as ebook only from Apple, Kobo, and directly from Sunstone Press themselves. Hardback versions to follow, stay tuned for details.


My third book is in post-first-draft corrections and is being circulated to beta readers for feedback. Provisionally title Within the Box. Contact me if you're interested.






Links to published reviews and comments are listed on my Home Page, for both published books.

———————

This DreamWidth blog is echoed on LiveJournal and WordPress. Please friend/link me from any of those environments on which you have an account.

————————


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That Guy in Our Women's Studies Class, which became available in February, (ebook versions became available in April) has started to bring in some reviews!






"How do men navigate the world of gender identity in a society that forcefully upholds gender norms? And how are men able to explore their privileged role in society while trying to engage in women’s studies and feminist theory?

These questions are explored in Allan D. Hunter’s latest nonfiction memoir, *That Guy in Our Women’s Studies Class* (2022)...

*That Guy in Our Women’s Studies Class* is dense, and it is not for the casual reader. The memoir is chock-full of advanced literature references, extensive thinking and debates on feminist theory, and thought-provoking theory about society and the way the world is structured. For readers not interested in women’s studies, feminist theory, sociology or psychology, this book may not be the best choice. But for a reader who is ready to question privilege and social identity, this book is the way to go..."

Adrienne Harris-Fried. Mass Media — University of Massachusetts


+ + +


" 'Hi, I’m Derek Turner, I am interested in feminism and I want to take this course.'

So proceeds with great determination this young 'sissy femme' who is male and heterosexual, yet with a feminine nature, as he describes himself in this 'nonfiction memoir' which reads more like a novel...

Derek’s determination to succeed and be heard is marvelous: he helps bring political awareness to the staff and residents of the Creedmoor Psychiatric Hospital, where he has managed, creatively, to find a place to live while attending school; inserts a fresh voice in classroom discussions about the abuses of patriarchy; and even shakes up the school’s Catalyst newspaper.

This era marked the blossoming of feminist theory, and readers will relish the roiling discussions about pornography, rape, power differentials, racism, sexual liberation versus feminism around works by writers then very much in vogue like Marilyn French, Vivian Gornick and Andrea Dworkin...

A Reader’s Guide at the back offers provocative questions about themes that Derek is pursuing, how he adjusts his understanding over time and what a change agent is...this work will spur readers to go back and check out some of the inspired texts."

"Not your classic feminist", Taos News (Staff Writer review)




+ + +


"Everyone who wants to walk in the shoes of this courageous, intelligent sissy activist will enjoy his two-part autobiography, *GenderQueer: A Story from a Different Closet* and *That Guy in our Women’s Studies Class*. The first describes growing up in Los Alamos, New Mexico, where he struggled with being different and identifying what that meant, with no role models like himself, nor people to discuss his struggle with. The second describes his ongoing intellectual, social and academic search during college, where he enters a Women’s Studies program and struggles to be accepted in as a heterosexual male who has found that the people with whom he identifies most strongly are “radical feminists.

In addition to the joy of following the personal history and growth of this brave author, those interested in feminist history and woman’s studies will find this book enlightening, as it includes a wealth of material for future reading...

We look forward to Hunter continuing to help us understand the unique beauty, skills and challenges faced by the many sissy males in our society!"

Mim Chapman, Author, Sex-educator and Relationship Coach Santa Fe, NM






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My first book, GenderQueer: A Story From a Different Closet, is published by Sunstone Press. It is available on Amazon and Barnes & Noble in paperback, hardback, and ebook, and as ebook only from Apple, Kobo, and directly from Sunstone Press themselves.


My second book, That Guy in Our Women's Studies Class, has also now been published by Sunstone Press. It's a sequel to GenderQueer. It is available on Amazon and on Barnes & Noble in paperback. eBook version and hardback versions to follow, stay tuned for details.



Links to published reviews and comments are listed on my Home Page, for GenderQueer now and for Guy in Women's Studies once they come out.

———————

This DreamWidth blog is echoed on LiveJournal and WordPress. Please friend/link me from any of those environments on which you have an account.

————————


Index of all Blog Posts
ahunter3: (Default)
That Guy in Our Women's Studies Class takes place predominantly in three venues: a facility for homeless people with psychiatric histories located on the grounds of Creedmoor Psychiatric Hospital, a SUNY college campus in nearby Nassau County, and, later, a larger SUNY campus farther out on the island.

In the final third of the story, having graduated from the women's studies program, I move on to become a graduate student seeking a PhD in sociology at the larger SUNY campus.

My books are nonfiction and autobiographical, but I did change all the characters' names, including my own for the sake of consistency, to protect the privacy of a small handful of people. I extended that anonymity to the naming of the two schools involved, which was probably kind of silly...most people familiar with the area are going to suspect that the graduate school in question is actually SUNY / Stony Brook.



Insofar as it's a larger school (one of the biggest in the system), one might expect to find a physical campus of an imposingly self-assured intellectual flavor, with some dignified central buildings attracting the eye. Such was not the impression I got upon first setting foot there. My first impression was that some giant had dropped a random assortment of utterly unrelated buildings into an old pasture and left them there. It isn't classical, it isn't modern, it isn't streamlined and inspiring, nor is it squat and formidable. It has no observable personality, no sense of place or presence whatsoever.



In the years when I attended as a grad student, only about a fifth of the students lived on campus, and the majority of those were first- and second-year undergraduate students. Graduate students, in particular, were likely to live off-campus and commute, and I did likewise, renting a room in a house shared with other grad students and buying myself a decrepit rusty old Toyota to make the daily commute.

I think that, in general, four-year colleges give the impression of existing for the frosh-through-senior student body, while universities that have graduate studies tend to convey that they do more important things than just teach people who are still working towards their bachelor's or associates' degrees. I mean, if you enroll in a four-year college and walk into the classroom, the person who will be teaching you is a professor on the faculty, but if you're a sophomore at a university, the person who greets you and grades your paper, and quite often does all the lectures as well, is likely to be a graduate student. Furthermore, the graduate student probably isn't teaching you because of a love for teaching and the aspiration to teach college classes, although some are and do. Most likely, the grad student intends to use their advanced degree to qualify for a professional career outside of academia, and part of how they pay for their own studies is to accept teaching responsibilities in some form -- teaching assistant, research assistant, or actual teacher of record for the course.

I can still recall the first graders taunting the kindergarteners in the next line over and thinking it made no sense because we'd been in kindergarten ourselves just the year before. And it makes no more sense for grad students to harbor contempt for undergraduates, but I've seen it. Many graduate students seem to think undergraduates are willfully ignorant, that they attend college to acquire credentials, not to learn, and that they're appallingly provincial and unexposed to non-mainstream thought.

Does that imply that university campuses feel like they exist for the graduate students instead, then? That's a tricky question with a complex answer. The professors are likely to consider themselves mentors to the grad students, and they do devote a substantial portion of their time to the projects and papers of their grad students. At the same time, though, the emphasis for a lot of professors is on research and the publication of papers and grant proposals and whatnot. It's not unusual for a professor to regard the teaching part of their profession as ancillary and unimportant, or to give lip service to the importance of teaching but devote their attention to their own professional endeavors. Professors don't get tenure or attain stature in their area of expertise by being good teachers.

There's also a gatekeeping function at play here. The purpose, from the standpoint of the various disciplines and professions, of graduate school is to bring in new people who will be appropriate in skill, attitude, and viewpoint, and that involves not only bringing people in but also weeding people out. And this affects the dynamic. A successful graduate student needs to be innovative and creative, with original ideas and active contributions to the field, but within narrow bounds. As with the grad students' own attitudes to the undergrads, the professors occasionally have the attitude to the grad students that their innovations and original thoughts are to be observed and assessed as signs of future potential, but not as content from which they themselves are likely to learn. To think in this fashion is to underline the difference in status between professor and grad student, and as in most hierarchies there is a tendency for some people to obtain their sense of accomplishment and expertise by doing that kind of underlining.



—————


My first book, GenderQueer: A Story From a Different Closet, is published by Sunstone Press. It is available on Amazon and Barnes & Noble in paperback, hardback, and ebook, and as ebook only from Apple, Kobo, and directly from Sunstone Press themselves.


My second book, That Guy in Our Women's Studies Class, has also now been published by Sunstone Press. It's a sequel to GenderQueer. It is available on Amazon and on Barnes & Noble in paperback. eBook version and hardback versions to follow, stay tuned for details.



Links to published reviews and comments are listed on my Home Page, for GenderQueer now and for Guy in Women's Studies once they come out.

———————

This DreamWidth blog is echoed on LiveJournal and WordPress. Please friend/link me from any of those environments on which you have an account.

————————


Index of all Blog Posts
ahunter3: (Default)
That Guy in Our Women's Studies Class takes place predominantly in three venues: a facility for homeless people with psychiatric histories located on the grounds of Creedmoor Psychiatric Hospital, a SUNY college campus in nearby Nassau County, and, later, a larger SUNY campus farther out on the island.

At the story's open, I -- via my alias in the story, Derek Turner -- am living in the facility while commuting to and from the first SUNY campus where I'm taking my courses.




My books are nonfiction and autobiographical, but I did change all the names, including my own for the sake of consistency, to protect the privacy of a small hanful of characters. I extended that to the naming of the two schools involved, which was probably kind of silly... can't hurt, but there are a limited number of likely campuses and some readers might conclude that the first one is probably SUNY College at Old Westbury.

It has historically been a progressive and experimental campus. It started out with a commitment to student authority in the design of one's own curriculum and course of study, and then later was structured around a mission to provide education for marginalized people who were often bypassed and left out of the opportunities for higher education. The Feminist Press was founded and originally located there, so the flyleaf of quite a few feminist publications were marked with the fact that they'd been printed at SUNY @ Old Westbury.

It's a fairly small college, although some other colleges in the SUNY system have yet smaller enrollments, and yet it sits anchored on a large plot of land (originally the Clark estate, if I recall correctly); students attending there are somewhat isolated and insulated from Hicksville, the nearest community of any size. Old Westbury itself -- the village -- is a world of mansions and old money, horse stables and yet more privacy and isolation, and is not socially a home to the college campus.

Architecturally, the buildings are bright and 1970s-futuristic, neither cubist modern nor self-importantly imposing; a good portion of the pedestrian travel routes take students outdoors or through glass tunnels, and it's a world of windows and walls projecting at interesting and unexpected angles.






The majority of commuter students are suburbanites from nearby communities, whereas a substantial number of the resident students were recruited from traditionally underserved populations from wtihin New York City, along with an additional sprinking of international students. Since the era covered in my book, there have been additional dormitories and additional classroom buildings built, so some of this description may be a bit dated, but I think the depiction still holds for the most part.

Much of the faculty was attracted to the site by its special missions, and then from the cameraderie of being among similar-minded educators with a shared sense of vision and purpose. To an extent that has also been mirrored by the attitudes and perspectives of the students, although mitigated by the presence of students who attend because it is affordable and conveniently located.

It is a small enough community for the students to become known to each other by experience or reputation, and, from that, to demand things of each other, to develop expectations and a sense of accountability.


—————


My first book, GenderQueer: A Story From a Different Closet, is published by Sunstone Press. It is available on Amazon and Barnes & Noble in paperback, hardback, and ebook, and as ebook only from Apple, Kobo, and directly from Sunstone Press themselves.


My second book, That Guy in Our Women's Studies Class, has also now been published by Sunstone Press. It's a sequel to GenderQueer. It is available on Amazon and on Barnes & Noble in paperback. eBook version and hardback versions to follow, stay tuned for details.



Links to published reviews and comments are listed on my Home Page, for GenderQueer now and for Guy in Women's Studies once they come out.

———————

This DreamWidth blog is echoed on LiveJournal and WordPress. Please friend/link me from any of those environments on which you have an account.

————————


Index of all Blog Posts
ahunter3: (Default)
That Guy in Our Women's Studies Class takes place predominantly in three venues: a facility for homeless people with psychiatric histories located on the grounds of Creedmoor Psychiatric Hospital, a SUNY college campus in nearby Nassau County, and, later, a larger SUNY campus farther out on the island.

At the story's open, I -- via my alias in the story, Derek Turner -- am living in the facility while commuting to and from the first SUNY campus where I'm taking my courses.



Creedmoor Hospital is a relic of the days of massive long-term (mostly permanent) institutionalization. It's not a building, it's a campus, with dozens and dozens of buildings sprawled out across Queens Village and neighboring communities in eastern Queens. The buildings look like medieval fortresses, with massive brickwork and imperiously angular faces and rooflines, bars in the windows and fences around everything.

Inside, the general design reflects a primary consideration for being able to monitor a lot of people from a minimum number of observation points: patients' living spaces tended to be aggregate, with the exception of a sprinkling of isolation rooms, and dining and day rooms were also large open areas. Professional offices were small and tended towards heavy metal doors without windows.

At one time, the institution ran its own support services such as medical and laundry and automotive and other equipment repair, perhaps even its own crematorium, operating as a separate entity from the surrounding suburban communities.

Covered walkways led from building to building, and in many cases underground tunnels connected them as well.

By the time I was placed there as a homeless person, operations had scaled back considerably, with many of these large buildings no longer in use. The east half of Building 4 was the location of the Queens Mens Shelter, where -- in contrast to most other aggregate homeless shelters in the city -- I could lay claim to a bed within a room (even if the room had no door, let alone a locking one) and leave things behind and come back and mostly depend on them still being there. There were lockers and we could store things. It was inhumane, abusive and violent, but the ability to retain some paperwork and some continuity of connection with other people gave me options I didn't have in the shelter system generically.

Meanwhile, the other side of Building 4, the west half, was being refurbished, with walls knocked down and new ones put up and everything repainted and linoleum put down on the floors, and a less prisonlike appearance attempted. This was where the Residential Care Center for Adults was being installed, and along with perhaps 70% of the other residents of the Queens Mens' Shelter I was successfully screened into the program and assigned a case worker.

We were all supposed to be enrolled in a "program", some type of scheduled activity that would theoretically rehabilitate us. My "program" was attending college.



Generally speaking, the RCCA personnel came in three broad types. There were plenty of self-important true believers who thought themselves to be doing good
things for the homeless mentally ill, and were horribly condescending to all the residents and questioned our judgment on each and every little thing, but weren’t malicious about it. There were the sadistic ones like Jerry Durst and Tony the security guard, people who got a jolt of pleasure from dehumanizing and humiliating people, who had probably gravitated toward these kind of situations because of the perpetual supply of powerless victims. And then there were people like John Fanshaw, who were mildly cynical about the world, its institutions, and the fairness of things, who enjoyed helping people where they could and didn’t see the residents as entirely different from themselves, but rather as people in a complicated and unfortunate situation or two.


One of the ongoing themes in the book is the discrepancy between an alleged commitment to client self-determination and self-governance and the realities of institutionalized care of this sort. The intersection of attitudes towards people with a psychiatric diagnosis and attitudes towards homeless people was not a comfortable place to be.


—————


My first book, GenderQueer: A Story From a Different Closet, is published by Sunstone Press. It is available on Amazon and Barnes & Noble in paperback, hardback, and ebook, and as ebook only from Apple, Kobo, and directly from Sunstone Press themselves.


My second book, That Guy in Our Women's Studies Class, has also now been published by Sunstone Press. It's a sequel to GenderQueer. It is available on Amazon and on Barnes & Noble in paperback. eBook version and hardback versions to follow, stay tuned for details.



Links to published reviews and comments are listed on my Home Page, for GenderQueer now and for Guy in Women's Studies once they come out.

———————

This DreamWidth blog is echoed on LiveJournal and WordPress. Please friend/link me from any of those environments on which you have an account.

————————


Index of all Blog Posts
ahunter3: (Default)
Here's a snippet from That Guy in Our Women's Studies Class --


Queenie’s perspective seemed to be mostly formed around belonging to an already-existing category that people knew about, while mine on the other hand was all wrapped up in theory, describing myself as belonging to a hypothetical group that I then had to describe.

If I was understanding correctly, all the gay males that Queenie had grown up knowing about painted their nails, wore dresses and skirts and high heels, did their hair, carried handbags and purses, and referred to each other with female pronouns. Or at least except for the ones trying to keep it hidden. That was how you did gay. It wasn’t a thing separate from doing femme.



My first book, GenderQueer, was a story of gradually arriving at a gender identity that wasn't already out there available for me to join, because "genderqueer" wasn't a term or a concept in our society yet.

Guy in Women's Studies on the other hand, mostly is a description of my primary attempt to join, to link up to a community, a culture, a movement. To be a part of. To participate.

Not only was it an era before "genderqueer" was trending, it was also an era before the rise of academic departments and majors called "gender studies" or "women's and gender studies" or "women, gender, and sexuality studies". Instead, what existed were departments of women's studies. That was the main place that gender and biased gender expectations were being discussed, or at least the main place where I, a male, could enroll and attend.

So that's where I went.



I think both modalities have their limitations as well as their strengths. When you seek to join an existing identity, you are to some extent fitting yourself into a pre-existing box. So in the case of gender, here we have people rejecting the notion that they should fit themselves into the gender box that is designated for a person of their physical morphology... but who then look around for a different existing box to move themselves into. I'm serious: I'm in a dozen or more Facebook groups devoted to being gender-variant in assorted ways, and in all of those groups there is a constant trickle of young people coming in to post, "I came out as nonbinary and ace aro when I was 16 but lately I've been wondering if I'm actually demiboy and grey ace or even demisexual? The thing is, I don't know if I can really say I'm a demiboy though since sometimes I like to wear skirts in the summer, and I don't want to be a fake, what do you think?"

So yes, people really are measuring themselves against these identities and then worrying in a way that's at least a little bit like the original friction of measuring one's self against the original imposed binary gender identity that society tried to impose. I mean, yeah, on the one hand, there isn't enormous social pressure to pick that particular box, the way there is with the original pink-and-blue box pair. But on the other hand, these aren't young people who are saying "Well, a good portion of the descriptions of 'demiboy' and 'grey asexual' apply to me, but there are also ways in which I don't fit the assumptions, so whatever, something like that". They're fretting about it. Needing to find an identity, an existing label that fits them like tailored clothing.

To formulate one's own identity definition, of course, rescues one from that sense of perhaps picking the wrong box. But the limits on this side of the divide are all about going it alone, not having any kind of social pre-existing understanding of the kind of person you're claiming to be and having, instead, to explain it all to people. Many of whom may not find it all that interesting to listen to such a complex and detailed self-description. And while the people trying to pick the correct existing box often seem to walk around with an internal doubt, a sort of impostor's syndrome, those of us who have gone around inventing our own labels and identities and spent time trying to live our lives espressing and explaining ourselves in those terms get a lot of external doubt, the dismissive and sometimes hostile attitude of other people that we're fakes, that our identities can't be real because if they were real, why hadn't they heard of such identities before?


—————


My first book, GenderQueer: A Story From a Different Closet, is published by Sunstone Press. It is available on Amazon and Barnes & Noble in paperback, hardback, and ebook, and as ebook only from Apple, Kobo, and directly from Sunstone Press themselves.


My second book, That Guy in Our Women's Studies Class, has also now been published by Sunstone Press. It's a sequel to GenderQueer. It is available on Amazon and on Barnes & Noble in paperback. eBook version and hardback versions to follow, stay tuned for details.



Links to published reviews and comments are listed on my Home Page, for GenderQueer now and for Guy in Women's Studies once they come out.

———————

This DreamWidth blog is echoed on LiveJournal and WordPress. Please friend/link me from any of those environments on which you have an account.

————————


Index of all Blog Posts
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That Guy in Our Women's Studies Class was never a trunk novel. It's true that version 1.0 of it was written poorly enough that I rewrote from scratch instead of trying to edit the original, but I always knew the underlying story was worth telling, and that I could tell it, and I always intended to brush the dust off the project and get back to it when I could.

I did, however, once write a genuine trunk novel. One where I knew even as I was finishing it that it had no business ever seeing the light of day.

I called it Czilan and I wrote it in the latter part of 1981, the year after I came out. Like everything else I wrote in those years, it was definitely an attempt to explain the gender identity stuff and make it accessible to people. Czilan was an attempt to do so using science fiction.

The idea was to portray a parallel world that was like ours in most ways but where the gender expectations and assumptions for male and female people were mirror-image reversed from how they are in our world. I set out to develop the stories of four main characters, Kath, Bill, Amy, and Amaten (Martin). Kath was a rather butch female; Bill, a conventionally butch masculine male; Amy, a stereotypically feminine female; and Amaten a sissy femme male. They weren't four characters in the same story; rather, I set out to tell four different stories in parallel, with each of them on their own separate plot line, hopping from one person's tale to the next in consecutive order. In the story, all four of them have magically been plucked up from earth and tossed into a corresponding world called Czilan, the place where the gender roles are mirror-image. And my intent was to show how the people that in our world would be regarded as normative and gender-typical -- Bill and Amy -- would experience profound difficulties, facing hostile attitudes and constantly running into expectations that didn't mesh with who they were. Meanwhile, the folks who'd be considered gender-atypical in this world -- Kath and Amaten -- would sail through comfortably.

Overall, it wasn't a strategy unworthy of consideration. If it had worked, if it had been vivid and realistic-feeling and compelling, it could have illustrated what gender nonconforming individuals go through. Indeed, I've reviewed a very well-crafted movie, "I Am Not an Easy Man", which makes use of the same vehicle of a mirror-image gender-reversed world. So it can be done. I just didn't do it very well.

The first problem was that it was very difficult for me to conjure up the scenes and dialogues necessary to demonstrate these tensions and still have any room at all for subtlety. When I was a hundred pages in or thereabouts, it felt like I was beating my reading audience over the head with the main point in every social interaction. The characterizations of the four characters was heavy-handed and klunky and blocky in its embrace of stereotypes. There was too much repetition -- different dialog, same dynamics; different personnel, same results.

But when I tried to back away from painting the people and the situations in such primary colors, I began to realize that the alternative was to write something akin to oceans of good existing literature that already makes a good "Exhibit A" for what happens to people who run afoul of gendered expectations. Literature that already shows this...or shows it if there happens to be a reviewer or a literature teacher to point it out. But where most of the reading audience probably won't see that as the main point that the book was making, if they see it at all.

I had already noticed that phenomenon with regards to Pink Floyd's The Wall -- a narrative record album that tells the story from the vantage point of a sensitive male person who isn't compatible with the expectations of manliness and masculinity. But although that's what I saw as the takeaway from the album, most other people tended to describe it as being about the isolation of being a rock star, or as simply "the story of this guy Pink, and what happened to him in his life".

So if I'd written a viscerally gripping science fiction novel with good three-dimensional characters in it, and had crafted a vivid portrayal of folks who'd be considered normative in this world being marginalized and isolated on Czilan, and our world's gender nonconformists fitting right in, reciprocally, that doesn't necessarily mean people by and large would have gotten it. They might have, but it's a nontrivial challenge, to make the point plainly enough yet to render the characters as real-feeling and complex instead of oversimplified caricatures.

So a big lesson learned: it is hard to define, or illustrate, gender and gender expectations and the dysphoria of being subjected to expectations that don't fit who one is.

My next book, The Amazon's Brother, switched to first person narrative, and although I never got it published, I felt like it was the right formula, and it's the one I returned to for GenderQueer and Guy in Women's Studies.

When one is writing from one's own firsthand experiences, you can say "The events actually unfolded like this", as opposed to running the risk in a fictional depiction of being tagged as having asserted that, gee, it always unfolds like this.


—————


My book, GenderQueer: A Story From a Different Closet, has been published by Sunstone Press. It is available on Amazon and Barnes & Noble in paperback, hardback, and ebook, and as ebook only from Apple, Kobo, and directly from Sunstone Press themselves.


My second book, That Guy in Our Women's Studies Class, has also now been published by Sunstone Press. It's a sequel to GenderQueer. It is available on Amazon and on Barnes & Noble in paperback. eBook version and hardback versions to follow, stay tuned for details.



Links to published reviews and comments are listed on my Home Page, for GenderQueer now and for Guy in Women's Studies once they come out.

———————

This DreamWidth blog is echoed on LiveJournal and WordPress. Please friend/link me from any of those environments on which you have an account.

————————


Index of all Blog Posts
ahunter3: (Default)
That Guy in Our Women's Studies Class
is now in print and available for ordering (amazon link; other purchase links listed farther downscreen)




In this nonfiction memoir, Derek, a genderqueer sissy male, decides that a women's studies class in college would be a good place to engage people in discussions about gender. Derek has reason to worry that he's invading women's space by attending women’s studies classes. At the same time, he's a minority within that space, and, as a gender-nonconforming sissy in the 1980s, a person with a gender identity that wasn't acknowledged and recognized yet, he’s been somewhat marginalized by gender himself. This narrative tale illustrates the complexities of intersectionality, the interconnected nature of social categorizations such as race, class, and gender and so forth. The main character is male, the privileged sex in the patriarchal context. The story follows Derek down Oklahoma highways and into heroin dens in Harlem and then into the homeless shelters of 1980s New York City, as the determined but not always practical Derek pursues his dream. Along the way, the story delves into the complexities of privilege and social identity in ways that challenge assumptions about power and marginalization--not in primary-color simplicity but by exploring privilege and deprivation along a number of different dimensions and showing it in all of its native complexity, all while still respecting a concern for empowering the voice of those left out.


Guy in WS is a somewhat rare thing in autobiographical nonfiction: a sequel! It picks up where GenderQueer left off: Derek (me) has just come out as a self-described sissy and seeks to be an activist in 1980, an era long before modern LGBTQ identity politics, and decides academic women's studies is the place to discuss such matters and meet other people wanting to do the same.

As a women's studies student, I arrive as a male, a guy -- regardless of how I identify, that's how I am perceived and treated, with both misgendering and privileges included. And women's studies in the 1980s is a space that's intrinsically critical of male hegemony and male behavioral patterns. As part of the "Q" in LGBTQ, I'm an outlier in this tale, an identity not yet spoken for, a sissy in a world rife with sissyphobia. The new discourse of women's studies was not designed with people like that in mind. Meanwhile, I'm not only perceived as male, but also recognized and viewed as while, educated, and imbued with the privileges of the professional middle class, invoked by how I speak and how I behave.

It is first and foremost my own tale, but it's also a good Exhibit A for discussions of intersectionality and the complexities of privilege and marginalization.

It's my fondest hope that people who read it will say of it that it's that book that "will make you think".


Well, I guess at this point that's a subset of the main hope, which is that people will read it and review it!


Additional relevant links:

Barnes & Noble, alternative purchase for people averse to Amazon

(It can also be acquired from various small independent booksellers).

Library of Congress listing

Goodreads listing

A pair of color ads I'm going to be running:

Step One: Coming Out

Step Two: Going Forth



—————
Links to published reviews and comments are listed on my Home Page

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This DreamWidth blog is echoed on LiveJournal and WordPress. Please friend/link me from any of those environments on which you have an account.

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Say hi to book #2!!




My close friend Alice Klugherz did the cover art for me. Font and text colors match those used in the first book, which fits since the story is a continuation of the same narrative.

That Guy in our Women's Studies Class is a rare thing in the world of memoirs: a sequel. In March 2020, my book GenderQueer: A Story From a Different Closet was published by Sunstone Press (Santa Fe NM).

GenderQueer told the coming-of-age and coming-out story of realizing I had a different gender identity and of giving it a name. At the end of it, I vow to confront the world about how sissy males are treated. In That Guy in our Women's Studies Class, I set out to do exactly that, choosing the world of academic women's studies as my platform.

I don't have an official release date yet, but the publisher says "soon".


Here's the back cover and spine:





Here's the CIP block as it will appear when you turn the page:

© 2021 by Allan D. Hunter
All Rights Reserved
No part of this book may be reproduced in any form or by any electronic or mechanical means including
information storage and retrieval systems without permission in writing from the publisher,
except by a reviewer who may quote brief passages in a review.
Sunstone books may be purchased for educational, business, or sales promotional use.
For information please write: Special Markets Department, Sunstone Press,
P.O. Box 2321, Santa Fe, New Mexico 87504-2321.
Printed on acid-free paper
eBook 978-1-61139-658-4

Library of Congress Cataloging-in-Publication Data

Names: Hunter, Allan D., 1959- author.
Title: That guy in our women’s studies class : a novel / by Allan D.
Hunter.
Description: Santa Fe : Sunstone Press, [2022] | Summary: “A personal
memoir of a genderqueer male seeking a political platform within
collegiate women’s studies programs in the era before modern
gender-identity politics”-- Provided by publisher.
Identifiers: LCCN 2022001491 | ISBN 9781632933751 (paperback) | ISBN
9781611396584 (epub)
Subjects: LCSH: Hunter, Allan D., 1959- | Gender-nonconforming
people--Biography.
Classification: LCC HQ77.8 .H86 2022 | DDC 362.897092--dc23
LC record available at https://lccn.loc.gov/2022001491


corresponding LiveJournal post: https://ahunter3.livejournal.com/91002.html
ahunter3: (Default)
I started this blog in 2014. I'd recently finished my first book, the one eventually titled GenderQueer: A Story From a Different Closet, at that time being pitched as The Story of Q: A GenderQueer Tale. Lit agents who gave personal responses to my queries often said "Your problem as a nonfiction author is that you have no platform. Nonfiction authors need a platform, a ready-made audience of people who are already listening to them".

So I started blogging, in an attempt to create that platform.

After a couple of years of random interval posting, I settled down to a more disciplined routine of cranking out a weekly blog post. And pretty early in, my blog posts began to resemble lesson plans and lecture presentation points.

TEACHER

I was supposed to be an academic, you know. A college professor somewhere, with a classroom of students, a professor who also wrote articles and made presentations at conferences and all that stuff. (My second book, That Guy in Our Women's Studies Class, which should come out later this year, goes into how that didn't happen as planned). I guess the weekly blog posts became a type of make-believe exercise for me, of creating a curriculum, a weekly installment of professor Allan Hunter's course in genderqueer politics and experience.

I was supposed to be not only an academic but also a provocative social presence, a maker of big ripples. The kind of thing where people talking or writing about gender issues would respond in part to what I'd said. Where the things I'd said had become ideas that people would feel the need to react to, whether they agreed with me or not. Where the things I'd said changed the dialog. Modified the conversation and inserted new ideas into the discussion.

I wanted to provide a way of looking at these things that would make some things click into place for a lot of people, would make some things suddenly make a lot more sense to people. I've had people tell me that did happen, so I got to have some of that experience, if not quite as much of it as I'd hoped for.

I wanted to find my people, to be the person who created an IDENTITY that other folks would claim as their own, people for whom the things I said really clicked; I wanted to someday be in a room entirely filled with gender inverts, both male and female, heterosexual males who were femme, whose personae were like girls or women but who didn't wish to present as if they were female, and heterosexual female people who were masc or butch, where who they were as people make them 'one of the boys', but who didn't opt to wrap themselves as male. I daydreamed of conferences attended by gender inverts, and bars and other businesses that catered primarily to gender inverts, and even entire parts of town that were known to be the gender invert sections, you know? Well that didn't happen. To a limited extent I occasionally "found my people" -- where someone would comment that I had put into words some experiences and notions that they'd never seen in words before and that something I said totally captured how it was for them -- but not often enough or with enough people to make a movement like that.

More often, I got some likes on my posts and some dissents. I received replies and responses that gave me some indication that I had made sense, and other reactions that made it clear that I hadn't, that I was just confusing people, and overall a sense that most people had only understood a part of what I'd said.

Which is how it would have been if I'd been a college professor. I mean, that's pretty standard. You do your lectures, you provide some readings and you lead some discussions, and you see that some students get part of it and others are a lot less clear on it, and it's rare that a lot of students fully understand all of what you've presented.


THE RIPPLE MAKING THING

The way I view society, after decades of studying it pretty intensely and trying to inject my ideas into the social conversation, is that most people find a cluster of people where they're comfortable. A social environment. And they embrace and absorb the worldview that is shared as part of what defines that social environment.

If that sounds snotty, like I'm putting folks down for not doing their own thinking, well, even my most radical gender concepts and ideas are just a subtle departure from a body of thought that's already out there. I have some specific original content -- the specifics of being a gender invert and how that's different from being transgender, and how it's similar and yet different from feminist women's rejection of rigid sex roles and sexist expectations and all that -- but the original stuff fits on top of an established set of thoughts about gender and sex and identity and variation from the social norm. And that's a really good thing, because otherwise it would be impossible to explain.

We aren't just mindless puppets who passively soak up ideas from the social world around us and then parrot them. It often seems that way, to me and to other frustrated individuals, but new thinking does get stirred in, and those new notions and concepts get introduced somehow. Perhaps there are ideas "whose time has come" and a lot of people begin putting the same notions into words at the same time and that's when they get some traction.

I suspect there's a talent for being a ripple maker. I suspect it's akin to the talent some people have for being able to go to a party and make a splash, to be different and yet to have one's difference make one stand out all new and shiny and interesting, instead of one's difference making one not fit in and just look wrong and out of place to everyone else. It's the kind of talent that lets one person's YouTube channel or their tweets get millions of views. Whatever it is that comprises such talents, I don't appear to have them. I never have.

My second book will soon be out, but in contrast to the first one it's less centrally on-topic. It explains why my first book is wrapped and positioned as LGBTQ and not as a radical feminist male's political coming-out, but it was the first book that really sets out to explain being a heterosexual sissy, a gender inverted male. It could be that, nevertheless, the second book catches fire and draws attention to me as a person speaking important ideas that are worthy of social attention, but it seems unlikely.


MOVING FORWARD

I've been doing this for a long time, and it is crossing my mind (not for the first time by any means) that I don't have to keep doing this. I can put it down. I can move on to other interests and let my life have a different focus.

I may not do that -- when I've contemplated that in the past, I ended up circling back to it, unable to leave these issues alone for long. Still driven to push them, to speak up about them, because it needed to happen. And because I had a right to speak.

But it's personally important to me to remind myself that I don't have to do this any more. It's not an obligation. Even if it needs doing, I don't seem to be spectacularly talented at doing it, and I do get to live my own life, in whatever way seems likely to bring me satisfaction.


—————


My book, GenderQueer: A Story From a Different Closet, has been published by Sunstone Press. It is available on Amazon and Barnes & Noble in paperback and ebook, and as ebook only from Apple, Kobo, and directly from Sunstone Press themselves.


My second book, That Guy in Our Women's Studies Class, is also being published by Sunstone Press. It's a sequel to GenderQueer. It's expected to be released in early 2022. Stay tuned for further details.



Links to published reviews and comments are listed on my Home Page

———————

This DreamWidth blog is echoed on LiveJournal and WordPress. Please friend/link me from any of those environments on which you have an account.

————————


Index of all Blog Posts
ahunter3: (Default)
My publisher requested any final author's edits on my second book, That Guy in Our Women's Studies Class, to be sent in so they can finalize the setup in preparation for rolling it out.

I've been slower and more methodical at this stage than I was with the first book, which had been through a wide variety of shakedown cruises with agents, publishers, and editors. This one, less so. I made contact with people I was in relationships with during the timeframe covered by this book, and likewise with academic colleagues who were classmates of mine, and received invaluable feedback that I used to revamp some of the descriptive passages.

As with the first book, the most likely delay will be waiting for the Library of Congress to provide the CIP (Catalog-in-Publishing) block.

Sunstone Press also sent me a rendition of the front and back cover and spine for me to make any final modification (I did, in fact, catch a typo), and it looks gorgeous.

So I'm once again going through that "it's starting to seem real" phase!

This book is essentialy a sequel to GenderQueer: A Story From a Different Closet, picking up shortly after I came out in 1980 and covering my endeavors to use academic feminism as a platform to say what I wanted to say to the world about gender and sissyhood and being a gender invert.


A 2022 publication date is still expected.

—————


My book, GenderQueer: A Story From a Different Closet, has been published by Sunstone Press. It is available on Amazon and Barnes & Noble in paperback and ebook, and as ebook only from Apple, Kobo, and directly from Sunstone Press themselves.


My second book, That Guy in Our Women's Studies Class, is also being published by Sunstone Press. It's a sequel to GenderQueer. It's expected to be released in early 2022. Stay tuned for further details.



Links to published reviews and comments are listed on my Home Page

———————

This DreamWidth blog is echoed on LiveJournal and WordPress. Please friend/link me from any of those environments on which you have an account.

————————


Index of all Blog Posts
ahunter3: (Default)
"All I've taken away from your long-winded blatherings is that you are a straight, cisgender male that has feminine qualities", says Thomas. "Why can't you just embrace that, instead of needing a special word and claiming it's your identity? As far as I can tell, all this makes you... a straight cis male. You're like the male equivalent of a tomboy. Hey, most of us don't fit every stereotype, you know!"


Actually, "sissy" -- the male equivalent of a tomboy, as Thomas says -- was indeed one of the first "special words" I tried using to describe my situation.

So, sure, I can sit myself down and listen. I don't have to be all "you are wrong" and argumentative. I can consider you to be pitching an alternative formulation for me to consider. There are several communities of people I wish would do me the same favor, instead of telling me I am wrong if I say things differently than what they've decided is their truth.

Thomas -- who is totally on-board with gay and lesbian issues, and the concerns of transgender people who actually transition -- is echoing the sentiments of a lot of my gender-critical feminist colleagues. They, as you may know, are questioning the current social concepts about transgender people who transition.

Unlike Thomas, who sees me as very definitely not transgender, the gender critical feminists tend to conflate my situation and everything I say about it with the transgender phenomenon.

But where Thomas (and others who think like him) and the gender critical feminists tend to agree is: what I'm saying, and what I'm claiming as my identity, isn't valid or doesn't make sense.

Great. I'm a unifier.

Both the gender-critical feminists and Thomas keep telling me I should consider billing myself as a feminine male man.

Let's consider that.

I grew up with my childhood in the 1960s and my puberty, adolescence and early adulthood in the 1970s. That means I came of age alongside of feminism, and the voice of feminism told me double standards were unfair -- that if it was okay for girls and women to be feminine, it had to be okay for boys and men to be feminine. That it was sexist to have one set of traits, behaviors, characteristics, etc expected or required from one sex and a different set from the other. Which is in large part what the gender-critical feminists and Thomas and his ilk are offering me as an alternative formulation to how I present my gender identity these days.

I embraced those feminist ideas. They said I was valid. They said the people calling me names and telling me I wasn't "doing boy" correctly were not valid.

I embraced those ideas but they were insufficient. They didn't dive deep enough into the situation I would be in as a sissy feminine male person attracted to the female folks. That's mostly because feminism is about female liberation, and female experience. So the specifics were all about the aspects of female existence where sexist double standards impacted female people. Without specifics, just rejecting the notion of sexist double standards can be a lot like saying, As Anatole France did, that "The law, in its majestic equality, forbids rich and poor alike to sleep under bridges, to beg in the streets, and to steal loaves of bread".

Feminism dove into an immense number of situations to untangle how unequal priorities and treatments and expectations affected women. I didn't have access to a similar library of analyses of the situations I found myself in as a heterosexual sissy male in patriarchal society.

Queer theory emerged in the 80s as gay males started making this kind of systematic examination of the situations of non-heterosexual people. A lot of those observations were accepted, embraced, and incorporated by feminists as part of an expanded understanding of patriarchy. But transgender women and radical feminists had gotten off to a bad start and have never been on speaking terms, and don't tend to listen to each others' concepts and ideas. So as queer theory also started incorporating the experiences of transgender people, feminist theory and the nascent queer theory pushed off from each other somewhat, leaving lesbian feminists occasionally stranded or pulled on from both camps.

Me too. As I said, I grew up with feminism and found validation from it. But it wasn't examining my situation and neither were the new truths and assertions from transgender activism addressing it or speaking for me or giving me anything to hold onto.

The simple feminist "erase all gender expectations and have a unisex world" prescription, as voiced by Thomas and the gender critical feminists as described above, has shortcomings which I've addressed in these previous blog posts:

Androgyny & Unisex vs Being Differently Gendered

To Oppose Patriarchy: It's Different For Men

The people calling me names and telling me I wasn't "doing boy" correctly did not understand that I'd lost interest in "doing boy". The identity being shoved at me was social, not biological, and I declined it. I wasn't doing boy differently via being feminine and seeking acceptance as such; I reached the point where I had no interest in being accepted as a boy of any sort.



If we cannot use the word "oppression" to describe men's plight, how can we speak of it? That, of course, is the point: we cannot. Because patriarchy does not recognize the ultimate destructiveness of tyranny to tyrants, the fathers have no word-and therefore no concept-for the kind of dehumanization, the severe characterological damage, done to men by their use of violence of all kinds to dominate women and all "others". Men who are becoming conscious must find their own language for their experience.


-- Sonia Johnson, Going Out of Our Minds: the Metaphysics of Liberation

That is exactly what I sought out to do in the 1980s as a women's studies major (a tale which will be made available when my next book, That Guy in our Women's Studies Class, comes out next year), and what I am continuing to do now in writing these blog posts.

I can't do so "as a feminist", within feminism, as a part of the feminist community. Feminism, as I said, exists for the purpose of female liberation, and speaks from female experience; I can't really modify any part of it or add to it without being perceived as an interloper and an invader, at least by some, and while some people in the LGBTQIA world often also see and regard me as a hostile invasive force, it's constituted around multiple variant identities instead of one primary identity, which affords me more room to say "me too, move over". But that does mean finding ways of expressing my situation in terms and within concepts that are in use there.

It isn't phony: when I first came out in 1980, I specifically conceptualized myself as a fundamentally different identity from straight guys, gay guys, or transsexual women. I didn't see my concerns as the concerns of men within patriarchy but as the concerns of heterosexual sissies within patriarchy. So I'm not barging in to use the LGBTQIA voice for expediency reasons.

But I speak with my own voice. You should consider it, listen to it, regardless of your embrace (or lack of it) of either the transgender people's theories or the theories of feminism, and don't be in such a hurry to conflate everything that doesn't seem to come from your own camp with whatever you don't like about the perspectives you currently disagree with.

———————



My book, GenderQueer: A Story From a Different Closet, has been published by Sunstone Press. It is available on Amazon and Barnes & Noble in paperback and ebook, and as ebook only from Apple, Kobo, and directly from Sunstone Press themselves.


My second book, That Guy in Our Women's Studies Class, is also being published by Sunstone Press. It's a sequel to GenderQueer. It's expected to be released in early 2022. Stay tuned for further details.



Links to published reviews and comments are listed on my Home Page

———————

This DreamWidth blog is echoed on LiveJournal and WordPress. Please friend/link me from any of those environments on which you have an account.

————————


Index of all Blog Posts
ahunter3: (Default)
My radical feminist colleagues sometimes wonder why, since I'm claiming to be one of them, I use so much of the rhetoric of the gender activists, especially laying claim to a gender other than "man" for myself.

It's not how they are doing feminism. They reject a bucketload of gendered assumptions, roles, stereotypes, etc that are projected onto women in this society, but they still identify as women. Why, they ask, am I not approaching the matter the way they do?

Oh, and before anyone on my gender boards asks why I concern myself with the views of transgender-exclusive people at all, let me clarify that this question comes up among radical feminist women who are not opposed to the recognition of transgender people -- they just don't see the act, or the fact, of being transgender as being a feminist behavior in and of itself. Any more than it's an anti-racist or a disabilities-rights act.



Overall, I think women are much better at realizing how the world appears from a male perspective, and knowing a lot of the particulars of male experience, than men tend to be about incorporating women's views. This is true because the male experience is amplified and projected, and because women's safety and survival has often depended on understanding men. But be all that as it may, this is one area where those parameters don't apply. I haven't found feminist women to have much understanding of how the feminism terrain looks when you're approaching it as a male person.

• For individual males, there is no significant movement of like-minded males for us to join. I can readily imagine Mary Daly observing that this is a bit like saying the courts should have been lenient and sympathetic with OJ Simpson at his murder trial because, after all, he just lost his wife. Nevertheless, I'm going to cycle back to this point in a minute.

• Power: it's patriarchy after all, and people tend to comprehend women rising up against it, even if they think they shouldn't, even if they think the different roles and spheres of the sexes (etc) is naturally or divinely ordained or whatever. It's less obvious to many people why any male person has a vested interest in dismantling patriarchy or opposing it. So our motives are unclear -- to people in general and specifically to the feminists with whom we might seek to ally ourselves. Will our endeavors still leave us in power? If so, then this male version of "feminism" looks like it's just a parlor game, some superficial gloss. Kind of like lip gloss, you could say.

• Ladies and Women and Men: I think it was either Robin Morgan or Gloria Steinem, relating the story of having a sit-down with a newspaper or magazine's editorial policy board, and explaining why they didn't like them referring to adult female people as "girls" when the equivalent males were always designated as "men".

"So what would you prefer? 'Ladies'?", the editor asked them.

"We practically held our noses and winced. No, definitely not that. That term was polluted with notions of screening out those who aren't ladylike, and notions of narrowly defined behaviors, all that 'act like a lady' crap, you know? 'WOMEN', we told him."

Women was a preferable term because it was inclusive and pretty much stripped down to the biological: one was a woman whether one was a homemaker, a politician, a police officer; a lesbian, an asexual person, a hetersexually active person; maiden, crone, or mom. The matter of including transgender women wasn't on the map at the time of this conversation, but at the moment it seemed like a pretty universal term that would unify all the people that feminists wanted to unify.

The word "Man" does not function as the male equivalent of "Woman", however much the dictionary may say otherwise. It correlates far more closely to the way that "Lady" is used. There is the notion that not all people with the male biological merchandise qualify as men. Instead there are those males who are men and then there are the ones that fall short of that. It's a status to which all members of the relevant sex are assumed to aspire, and success is not so rare that only an elite handful make the grade (although there's some social ambivalence about how many "real men" exist), so everyone is supposed to be caught up in trying to be recognized as one, or to pass as one.


• The Generic: Feminists have long pointed out that "man" is the generic sex in our society, that the male experience is falsely universalized as if it applied to everyone, and that whenever the generic human is posited, that human is automatically sexed as a man. One consequence of this is that feminists could push away the special marked status of being treated as a woman and demand to be regarded as a generic human, with human rights and human privileges (and get accused of trying to be men when they did). But a male person cannot reciprocally push away the gendered assumptions about male people by embracing the generic human, because as males we're already assumed to be the generic human AND because since the special attributes associated with female people are attached only to the special marked value of Woman, they don't get applied along with male-associated characteristics when a male person lays claim to a generic ungendered identity.



My second book, That Guy in Our Women's Studies Class, will be released later this year by Sunstone Press, and it describes my experience of setting out to be a women's studies major as a means of joining the feminists.

In the years that followed the period covered in that story, I shifted to the LGBTQIA platform, having already tried to speak as a participant in the feminist platform -- but found that it was not my platform to use. There was space for me to be a supporter, an ally, but not an activist in my own right, speaking for my own reasons and from my own interests and voicing my own political concerns.

Lacking a movement to join as a male person who'd been identified and treated as a non-masculine (i.e., sissy, femme, non-man) male, identity politics by its very nature lets me speak as me without having to speak "for all the guys". Other male people are welcome to join and say "me too" or they can remain Men if they feel correctly and accurately described by the generalizations and social notions thereof. I'm not telling them or the world at large that all of us male folks are unfairly and unpleasantly constrained by the pressures to be masculine and that we all want to be free of it. Instead, I'm establishing a proud and self-affirming identity as one male person who has chosen to embrace what I've been called, because that was my reaction from the start: "Yes, I am like one of the girls, and so? The girls are doing it right, they make sense to me and I don't want to be like you and the other boys!"



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Do you counsel young people trying to sort out their gender identity? You should read my book! It's going to add a new entry to your map of possibilities when you interact with your clients!

My book, GenderQueer: A Story From a Different Closet, has been published by Sunstone Press. It is available on Amazon and Barnes & Noble in paperback and ebook, and as ebook only from Apple, Kobo, and directly from Sunstone Press themselves.


My second book, That Guy in Our Women's Studies Class, is also being published by Sunstone Press. It's a sequel to GenderQueer Stay tuned for further details.



Links to published reviews and comments are listed on my Home Page

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ahunter3: (Default)
I post in a lot of Facebook groups -- transgender groups, genderqueer groups, feminists groups, generic LGBT groups.

In one of the feminist groups, a participant took exception to me using transgender terms and transgender rhetoric. I replied that I'm just trying to communicate and I can lay things out using other words. I proceeded to explain a lot of the same things deriving my points from radical feminist theory, concepts and notions well-established as part of feminism.

"Ooooh", this person answered back. "So now you're going to mansplain feminism to us".




There's a reason I am mostly positioning what I have to say as part of the LGBTQIA dialog about gender these days. It's not that I am more fervently in agreement with what transgender activists have to say about gender. I have a lot of dissents with them, too, in fact. Been kicked out of a few when having a dissenting opinion was upsetting to people: the Trans, Enby & Genderqueer Network booted me to the curb, as did Transgender Support 30+, Non-Binary Gender Pride, Nonbinary Femmes, and GenderQueers+ ... so it is not as if feminists have a monopoly on "if you aren't saying exactly what we already agree with, you must be one of THOSE people, the wrong people, and we don't want you here".

But I'm less easily stripped of the authority to have an opinion in the first place. I identify as a genderqueer femme who is male. It isn't orthodox for transgender and it isn't exactly typical of what nonbinary and genderqueer people tend to say when they identify, but in general the rainbow has enough diversity and rhetoric about inclusiveness that it's hard for people to say I don't qualify or get to identify as I do. Individual lesbian, gay, trans, bi, genderqueer, or nonbinary people may take issue with what I say, but they've got less of a structured mission statement to point to that says I don't belong there.

But within feminism, as a person calling myself male, I am not regarded as a person for whom the platform exists.


My second book, *That Guy in Our Women's Studies Class*, comes out later this year. It explores the limitations of participation for a male person with political gender issues. Feminism was a beacon of light at the time I came out.

Some people ask why I bother to post in the feminist areas, especially the ones that don't condemn TERFs. It's feminist theory. The LGBTQIA world still has nothing to compare to it. It's the single most important political perspective to emerge from the 20th century. It has brilliant insights and develops a world-view that's coherent from top to bottom, individual behavioral nuance to ensconced political structure. And I'm a student and a participant, even if some of the world's feminists are not inclined to acknowledge me as a feminist.

But I can't effectively use it as my platform.



———————

You're secluded in quarantine, and all the performances and events have been cancelled, so it's a good time to read a book!

My book, GenderQueer: A Story From a Different Closet, has been published by Sunstone Press. It is available on Amazon and Barnes & Noble in paperback and ebook, and as ebook only from Apple, Kobo, and directly from Sunstone Press themselves.


Links to published reviews and comments are listed on my Home Page

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This DreamWidth blog is echoed on LiveJournal and WordPress. Please friend/link me from any of those environments on which you have an account.

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ahunter3: (Default)
My book's been in print for a year! Have you read it yet? Here are some reasons why you should —


• Today there is the widespread notion that when people question their gender identity, they end up JOINING a crowd of people who identify a certain way. Having the social support of other people who are like you are is a good and healthy thing, but this also bolsters the notion that people are doing this in order to fit in. Which is the opposite of explaining one's identity as someone who does not.

GenderQueer is the first-person account of growing up as a gender misfit in an era long before "genderqueer" was trending. It's the story of arriving at an understanding and it sheds some light on how variant gender identities arise when they did not exist before.


• The "Q" by itself — the majority of genderqueer accounts have been written by people who first identified as same-sex attracted (gay, lesbian, or bisexual/pansexual) or else as transgender. This particular tale is from the vantage point of someone who never had dissonance about the male body in which he was born, and was not attracted to other male people sexually. Just femme.

A lot of people can check off multiple checkboxes when they identify as part of the LGBTQIA spectrum, but explaining the differences can be complicated when the examples involve more than one such identity. This is genderqueer by itself.


• I don't know about you, but I have a growing library of first-hand accounts of what it's like to be a transgender woman, what it's like to be a gay man, what it's like to be a lesbian, what it's like to be a butch lesbian, what it's like to be a transgender man, and so on.

If you think it is important for us to be visible, if you think public education that explains our identities is necessary and relevant, you should support writers who tell these tales and provide these examples.

Reviews and purchase info here: https://www.genderkitten.com


---

My second book, That Guy in Our Women's Studies Class, will be coming out late this year and continues the story. This time, the tale will be about joining: in the early 1980s, when there was no LGBT community in today's sense, I set out to join the people who were most visible in dealing with gender — the feminists. Specifically, I decided to enroll in women's studies where our classes would involve discussing these issues and raising these questions.

This was before the arrival of gender studies, and as a male-presenting individual I was perceived as a guy, and hence an outsider coming to the table. To be seen as male was to be perceived as benefitting from patriarchy, and not seen as someone with my own legitimate issues with the workings of gender.

It's a nuanced exploration of privilege and marginalization and intersectionality.





———————

You're secluded in quarantine, and all the performances and events have been cancelled, so it's a good time to read a book!

My book, GenderQueer: A Story From a Different Closet, has been published by Sunstone Press. It is available on Amazon and Barnes & Noble in paperback and ebook, and as ebook only from Apple, Kobo, and directly from Sunstone Press themselves.


Links to published reviews and comments are listed on my Home Page

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Pivoting

Dec. 26th, 2020 03:12 pm
ahunter3: (Default)
In 2020, I blogged a lot about my first book, GenderQueer: A Story From a Different Closet, which was released in March, and about gender issues and identity. The book is focused on my own life from 8th grade through early adulthood, culminating in me coming out, and with my book on my mind a lot, the perspective that I brought to gender was strongly shaped by tying things to what I'd been through and how I thought of it during those critical years.

I'm expecting my second book -- That Guy in our Women's Studies Class -- to come out in 2021, and I'll probably be focusing a lot more on that and less on the first book.


The second book picks up shortly after the first book ends, but it represents a pivot from one way of looking at the issue to a different way of framing it. During the months when things first clicked into place for me -- winter vacation break of 1979-1980 through mid-spring 1980 -- I primarily thought of myself as a different kind of male person, as different as gay guys were different, as different as trans people who transitioned to female were different, but different from either of those two identities as well: I was femme, in the same sense that a lot of gay guys were, in the same sense that our culture's stereotype about gay guys tended to project onto gay guys in general, but I was a heterosexual femme instead; and like the male-to-female transitioners, the person I was, my essential self, made a lot more sense when thought of and recognized as one of the girls or women, but unlike them I didn't wish to change my body or to cause people to assume I had a female body, so I was different from the transsexual people as well. There wasn't a word for a person like that, there wasn't a social concept of such a person, but thinking of myself in that fashion made everything make sense to me.

But trying to come out, trying to explain myself to other people that way? I wasn't making much sense to anyone except me.

When you spend some time trying to make sense to people, you end up focusing on the things that people already understand and using that as a starting point, and then moving from there.

In 1980, when there was no movement or concept of anything like "genderqueer" or "nonbinary" (or even the larger-umbrella notion of "transgender") to latch onto, the existing viewpoint that seemed like the easiest starting point was feminism. Feminists were the main people who didn't take it for granted that the way things generally were and historically had been, as far as what it did or did not mean to have the specific sexed body-type that you'd been born with, was simply how it was. They said it was sexist to say male people were supposed to be this way and female people were supposed to be this other way.

So I made that pivot -- instead of trying to explain myself as a fundamentally different kind of male person, a different identity, I started my conversations with references to the unfairness of being measured against a different set of expectations than I'd be measured against if I'd been born female.

I would weave into the discussion the fact that it affected me more than it might affect a male who more closely matched the expectations, but it affected all of us to some extent. It's a different argument. Instead of identity politics, where you're arguing that you are in a category that needs accommodation because it is currently mistreated, it's a system politics kind of argument, the same way that arguing for the right to free speech is -- if you've been arrested for saying something that's been banned from public discourse, you may argue that everyone should have freedom to speak, rather than arguing that you're in a category of silenced people. You can make both arguments (that lack of freeom of speech has a disproportionate affect on people in your category) but if you choose to frame it first and foremost as "everyone should have freedom of speech", you're positioning it as a system politics issue instead of primarily as an identity politics issue.

Of course, feminism was also an identity politics movement itself: it was centrally about women's historical oppression, and the unfairness towards female people of the system politics issues that feminism was raising. And most people thought of the feminist movement more as identity politics than as system politics.

Would I be able to express my issues and explain my situation from a starting point of feminist understandings, or would people disregard what I was trying to say because feminism was supposed to be about women's situation and not mine?

I didn't know, but it seemed like my best opportunity to engage people and communicate, so I set forth to find out.



———————

You're secluded in quarantine, and all the performances and events have been cancelled, so it's a good time to read a book!

My book, GenderQueer: A Story From a Different Closet, has been published by Sunstone Press. It is available on Amazon and Barnes & Noble in paperback and ebook, and as ebook only from Apple, Kobo, and directly from Sunstone Press themselves.


Links to published reviews and comments are listed on my Home Page

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This DreamWidth blog is echoed on LiveJournal and WordPress. Please friend/link me from any of those environments on which you have an account.

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ahunter3: (Default)
I've started sending out my pitch to get my second book published.

Here is my standard query letter, and below that, the parts of the formal proposal that spell out in more detail what the book is about.


Query Letter:

"When you're a fish out of water you look for the nearest ocean" — Anthony T. Hincks

THAT GUY IN OUR WOMEN'S STUDIES CLASS is a nonfiction memoir about a genderqueer sissy male, Derek, who decided that women's studies in college would be a good place to engage people in discussions about gender.

This narrative tale follows Derek down Oklahoma highways and into heroin dens in Harlem and then into the homeless shelters of 1980s New York City, as the determined but not always practical Derek pursues his dream.

Along the way, the story delves into the complexities of privilege and social identity in ways that challenge assumptions about power and marginalization—not in primary-color simplicity but by exploring privilege and deprivation along a number of different dimensions and showing it in all of its native complexity, all while still respecting a concern for empowering the voice of those left out.

"Hunter's prose explores the delicate tapestry of privilege and power... this is a deployment of 'show, not tell' I've rarely seen done... narrative social theory" — An early reader

Length: 95,962 words


From the Formal Proposal:


Elevator Statement —


In 1980, I came out as a sissy. I was reclaiming the term the same way that proud lesbians referred to themselves as "dykes" or the way that gay folks were reclaiming "queer". "Sissy" comes from the word "sister" and so it seemed like the right word: a sisterlike, i.e., feminine or girlish, male person.

We had gay rights activists back then. We even had trans activists. A lot of people didn't understand why I was using a new and different term. But I wasn't gay or trans. It was something else.

Trans women, both back then and today, tend to say "Don't see me as a trans woman. See me as a woman". That wasn't me. I didn't consider myself female. I considered myself femme. I didn't identify with the gay rights movement: my sexuality wasn't same-sex attraction and I saw a need to untangle gender from either physical sex OR sexual orientation.

The activists I identified with the most were feminists. They were the ones who said having a different behavioral standard and polarized social roles for the sexes was sexist.

So I headed off to the university to major in women's studies.



That Guy in our Women's Studies Class is a rare thing in the world of memoirs: a sequel. In March 2020, my book GenderQueer: A Story From a Different Closet, was published by Sunstone Press (Santa Fe NM).

GenderQueer told the coming-of-age and coming-out story of realizing I had a different gender identity and of giving it a name. At the end of it, I vow to confront the world about how sissy males are treated. In That Guy in our Women's Studies Class, I set out to do exactly that, choosing the world of academic women's studies as my platform.


Elaborating on the Concept —



"When you're a fish out of water you look for the nearest ocean" — Anthony T. Hincks

As a male person very focused on the unfairness of gender expectations, I headed for the largest metropolitan center I could easily get to—New York City—figuring that even if my identity made me an exception to the exception to the rule, I'd be able to find people who were like me. And I pinned my hopes and dreams to women's studies, because the material I wanted to discuss with people would overlap with the material we'd be focusing on in the classroom.


That Guy in our Women's Studies Class illustrates the complexities of intersectionality, the interconnected nature of social categorizations such as race, class, and gender and so forth. The main character is male, the privileged sex in the patriarchal context. Within the first few pages of the book, he has reason to worry that he's invading women's space by attending women's studies classes. At the same time, he's a minority within that space, and, as a gender-nonconforming sissy in the 1980s, a person with a gender identity that wasn't acknowledged and recognized yet, he's been somewhat marginalized by gender himself.

That's the presenting surface of a larger and even more intricate situation. To get to New York and attempt to get into college, he hitchhikes across the country and becomes a homeless person on the New York streets, eventually trading in on a history of psychiatric incarceration (he'd been placed on a locked ward shortly after coming out) to get into the better-funded assistance programs, which were earmarked for the "homeless mentally ill". A person with a psychiatric diagnosis was thus both privileged among the homeless and at the same time often stripped of basic rights because of that same status. And we follow along as the main character commutes every day from the grounds of Creedmoor Psychiatric Hospital to SUNY college campus, where most of the other students are middle class suburban commuters with the advantages and privileges of that existence.

There is also the dynamic of race: although the SUNY campus is not as disproportionately black as an historically black college such as Grambling, there is a high proportion of inner city black students living in the dorms as residential students, and there's a tension between the mostly-white commuters and the majority-black resident students. The book's main character is commuting from a different majority-minority environment, the world of formerly homeless halfway-house residents. In his second year he moves into the dormitories to live among the resident students and get away from the oppressive environment of the psychiatric facility. Over and over again, he finds his attention diverted from matters of gender identity to questions of race and racial oppression.

Meanwhile, in his academic studies, he gets increasingly immersed in studying the complex tapestry of power itself, and the larger question of its desirability, which feminist theory examines as part of the patriarchal value structure.


That Guy in our Women's Studies Class is a narrative story, with characters and conversations and a compelling storyline. While real life doesn't often resemble the trajectory of a fictional novel's plot, this particular slice of life tells that kind of tale. It's an entertaining book, one that does not read like an educational treatise. It's the story of a young out-of-town person from a small village making a go of it in the big city, of a survivor coping with life on the streets while seeking employment and a place to stay, and of a fervent activist looking for his 'people', finding a place in the world, and finding a political voice.




The people and events described in this memoir were all quite real, but to streamline and optimize the narrative flow, I sometimes combined several characters into one composite character, so as to not have to develop so many characters; and on occasions I also condensed multiple similar events and described them as single events.


The names have all been changed—including my own, for consistency. As I did in GenderQueer, I refer to myself as Derek Turner throughout.


———————

You're secluded in quarantine, and all the performances and events have been cancelled, so it's a good time to read a book!

My book, GenderQueer: A Story From a Different Closet, has been published by Sunstone Press. It is available on Amazon and Barnes & Noble in paperback and ebook, and as ebook only from Apple, Kobo, and directly from Sunstone Press themselves.


Links to published reviews and comments are listed on my Home Page

———————

This DreamWidth blog is echoed on LiveJournal, WordPress, and Blogger. Please friend/link me from any of those environments on which you have an account.

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ahunter3: (Default)
A couple of really nice reviews of GenderQueer were posted this week by book bloggers, with any luck drawing some more attention to my book and luring more people to read it!


"In a world which is still conservative at large and prejudiced for the most part, Derek's story is agonizing despite being inspirational. I say this because it shows us just how hurtful and indifferent people can be, especially if you are trying to tell the truth about something that they'd much rather pretend doesn't exist...

No amount of research into theoretical assumptions and claims can replace the experience of reading someone's life story and knowing what they've been through. The narrative style is simple yet powerful. By the time you reach the final page, you'll feel like you've had quite the journey...

Characters: This is obviously about the main character or the author himself. I don't think its necessary to mention again how moved I was by his story. I, however, would like to talk about the brilliant way in which the others are depicted. Some characters represent a particular way of thinking. No matter what we think about stereotyping, it's true that some people share the same sort of antagonism and hatred when it comes to the LGBTQ+ community and this group appears pretty frequently in the book, needless to say. The author has merged several like minded people into a few characters because they are significant only because of their point of view. This has resulted in a story not overcrowded with characters and has left enough space for Derek to reveal himself to the reader...

Genderqueer succeeds greatly as a memoir because it excels in every sub-category."

Saradia Chatterjee (Blogger: Crazy Curious Sara) Crazy Curious Reader




"I guess I'd shot my mouth off. - First Sentence, Part One: School. At A Party: 1979

This is who I am, how I am. Get used to it! I will never again tolerate people being mean and nasty to me and acting like I deserve it because I don't act like a guy. From now on being all worried about that is gonna be their problem. - Memorable Moment, Page 166


I ...had thought to use the metaphor 'like a round peg in a square hole' but somehow that didn't feel strong enough so, abnormal, there I've said it - the author was made to feel abnormal, for the most part this wasn't comfortable reading and arguably the former portions spent on the author's early life experiences were a tad too drawn out, and yet that said ...

Not always a journey easily travelled (and especially not then) I think that not to have chronicled these events and, perhaps more importantly, the feelings they gave rise to, in such detail would have been to do a disservice to the experiences of not only Derek but also to generations of people who have rarely been represented; whose stories have never been told.

A very human story but one that provides an important insight into gender and identity."

Felicity Grace Terry (Blogger) Pen and Paper



More reviews and book purchase information available here on my author web site


In other news, I've begun querying lit agents and small publishers about my second book, That Guy in our Women's Studies Class, and next week I'm thinking I'll post the query letter than I'm using for it. On the one hand, I think it will be a more difficult sell: the topic of being genderqueer is about as hot at the moment as its ever been, whereas the second book, while still tangentially about that (the main character, i.e., me, is genderqueer, and that both informs a lot of the character's interactions with the other characters and also is the reason for majoring in women's studies in the first place), is a lot more focused on the presence of a male person (or man, or person perceived to be male or a man at any rate) within feminism and the larger questions of privilege and marginalization... and that's probably going to be perceived by lit agents and publishers as a lot more intellectual and less mainstream. On the other hand, I'll have the advantage of being a published author already this time around. The author of a book that's being nominated by the publisher as their entry for the Aspen Prize, in fact!

*preen*

So I may be able to pull it off, to get my second book published.

I'm still soliciting beta readers, by the way. It's only recently out of the oven and I want to get some folks to do taste tests, so if you're up for a novel-length nonfiction book about a sissy who hitches to New York to major in women's studies, give me a holler.



———————

You're secluded in quarantine, and all the performances and events have been cancelled, so it's a good time to read a book!

My book, GenderQueer: A Story From a Different Closet, has been published by Sunstone Press. It is available on Amazon and Barnes & Noble in paperback and ebook, and as ebook only from Apple, Kobo, and directly from Sunstone Press themselves.


Links to published reviews and comments are listed on my Home Page

———————

This DreamWidth blog is echoed on LiveJournal, WordPress, and Blogger. Please friend/link me from any of those environments on which you have an account.

————————


Index of all Blog Posts

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