Singing the Sissy Femme Blues
Jan. 16th, 2019 02:24 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
ahunter3This song could get me in trouble.
I've occasionally mentioned that at the time I was coming to the realization of my gender identity, and outed myself on campus and to the world (to the extent that I could), I was a music major at the University of New Mexico, hoping to hone my skills as a composer, songwriter, pianist, and singer.
There I was, wanting to explain being a gender invert, wanting to educate the world, wanting to communicate. So, with music among my available tools, I started writing songs about it.
This song is straight out of the blues tradition, a howl, or a whine if you prefer, bewailing what it's like to be male, femme, and attracted to women.
It's an easy target for accusations of insensitive and unwoke political incorrectness: the singer apparently wants to be congratulated for not treating women as sex objects like so many other males do (yeesh, like according women the minimal courtesy of treating them as humans instead of sex toys should win him some kind of prize?), while using objectifying language about female anatomy to do so (yeah, folks, content warning), and he dares to criticize women for reacting to male people in general based on the behavior of males as a class, as if that were somehow unreasonable.
Yeah, well that's a big part of why singing songs about it isn't the ideal mechanism. Too much of this gender situation requires careful and precisely nuanced explanation. I soon realized I needed to write about this, that I was best off depending on my skills as a writer.
I am, of course, well aware that the behaviors of both women and men are structured by the social situation, that none of us behave in a vaccuum but instead face penalties for behaviors that depart from the imposed pattern. I am, of course, complaining about those same kinds of patterns as they get imposed on male people, the whole gender polarization thing.
It's hard to express complex political analysis within the lyrics to a song.
But the blues are not about justifying the reasons for having the blues. The blues are about howling, saying that this is how it feels. And that's something people should know. Analyses of who is entitled to feel this or think that, or theories about blame and causality and so on certainly have their place, but if you want to understand social phenomena, you need to get a sense of how the people in various identities and social locations feel.
Without further ado... Another One © Allan Hunter 1981
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I've occasionally mentioned that at the time I was coming to the realization of my gender identity, and outed myself on campus and to the world (to the extent that I could), I was a music major at the University of New Mexico, hoping to hone my skills as a composer, songwriter, pianist, and singer.
There I was, wanting to explain being a gender invert, wanting to educate the world, wanting to communicate. So, with music among my available tools, I started writing songs about it.
This song is straight out of the blues tradition, a howl, or a whine if you prefer, bewailing what it's like to be male, femme, and attracted to women.
It's an easy target for accusations of insensitive and unwoke political incorrectness: the singer apparently wants to be congratulated for not treating women as sex objects like so many other males do (yeesh, like according women the minimal courtesy of treating them as humans instead of sex toys should win him some kind of prize?), while using objectifying language about female anatomy to do so (yeah, folks, content warning), and he dares to criticize women for reacting to male people in general based on the behavior of males as a class, as if that were somehow unreasonable.
Yeah, well that's a big part of why singing songs about it isn't the ideal mechanism. Too much of this gender situation requires careful and precisely nuanced explanation. I soon realized I needed to write about this, that I was best off depending on my skills as a writer.
I am, of course, well aware that the behaviors of both women and men are structured by the social situation, that none of us behave in a vaccuum but instead face penalties for behaviors that depart from the imposed pattern. I am, of course, complaining about those same kinds of patterns as they get imposed on male people, the whole gender polarization thing.
It's hard to express complex political analysis within the lyrics to a song.
But the blues are not about justifying the reasons for having the blues. The blues are about howling, saying that this is how it feels. And that's something people should know. Analyses of who is entitled to feel this or think that, or theories about blame and causality and so on certainly have their place, but if you want to understand social phenomena, you need to get a sense of how the people in various identities and social locations feel.
Without further ado... Another One © Allan Hunter 1981
———————
This LiveJournal blog is echoed on DreamWidth, WordPress, and Blogger. Please friend/link me from any of those environments on which you have an account.
————————
Index of all Blog Posts
