My Agent, and My Publicist
Sep. 14th, 2016 07:38 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
ahunter3Hi! Sorry I haven't blogged lately. Things have been simultaneously hectic and non-newsworthy for the most part in the land of STORY OF Q. That's a situation that just changed today, but I'm not quite prepared to write about today's developments (I think the relevant phrase is "waiting for the dust to settle"). Watch this space for more activity in days to come.
I will, however, take this opportunity to introduce my team. Yay, I have a team!!! I do!!!
First off, meet my literary agent, Sheree Bykofsky, of Sheree Bykofsky Associates. She now lists The Story of Q: A GenderQueer Tale, by Allan Hunter, as one of the books her agency represents.
I first interacted with Sheree Bykofsky and her agency in October of 2013. Hers was the first agency to indicate a serious interest in the book, and they asked me to submit a formal book proposal. I did not have one. I was given some examples and general instructions on how to assemble a formal nonfiction book proposal, and that proposal, with occasional minor modifications, was the proposal I sent out a total of 163 times.
Sheree Bykofsky Associates ultimately decided not to represent my book in 2013, probably for legitimate reasons (it was still pretty rough around the edges—something that's easier for me to see in hindsight after it's been revamped and polished a few times).
I did not, in fact, ever succeed in luring any literary agent into representing my book until after I had secured a publishing offer from EC Books through a direct query. That, also, is probably for legitimate reasons. My book is a narrowly tailored book, a niche book for the most part, although there could not be a better time to be coming out with a book about an additional and different gender identity. It's at least momentarily a trendy social topic. Even so, it's not a mainstream book of the sort you'd pick up at the Penn Station bookstore while waiting for your train.
The reason I wanted a literary agent ANYWAY was that I'm a total newbie and I wanted someone who could tell me when I was being reasonable and when I was not, and when my publisher was establishing normal industry-standard contract terms and when they were going pretty far afield of that. And how to express my wishes and concerns in such a way that I'd be most likely to get the concessions I wanted without making the publisher regret having decided to have anything to do with such a prima donna.
Sheree Bykofsky has been wonderfully supportive, available to me as someone I can write back and forth to informally and openly, and who will then don her professional persona and craft business letters, negotiating on my behalf, protecting my interests.
Then I sought out and found a publicist. I'd been warned away from doing so by many authors, including the opinionated crew at Absolute Write Water Cooler as well as several bloggers, warning me that they often don't do much that an author could not do on their own to publicize a book, and that some of them aren't very ethical and just run off with the author's money. Yeah yeah, I appreciated the warnings, but I know where my talents lie and where they do not. The publicizing of my book could not possibly be in worse hands than my own. I could go up to a randomly chosen homeless person on the sidewalks of New York and hire them and the project would be better off than with me relying on my own skills.
What I did was research the matter and found a web site of biographers (close enough to memoirists for my purposes) that maintained a list (Boswell's List) of professionals that several of them had had good experiences with.
I went with John Sherman, who was praised for the excellent work he did for the author of a biography about an industrialist that no one had heard of. The author was similarly an unknown person. So I contacted him and we had a good conversation on the phone. He was quick to embrace the project, to see the book as an important book that SHOULD be out there, that SHOULD be read, and he will be helping me to market it, firstly to academics—to women's studies and gender studies professors teaching courses for which it would be relevant text.
I'm already making him a busy person. He has a good sense for what info and other preparations we need for marketing endeavors down the road in ways that I am ignorant of. For example he says we need to target book reviewers who have a policy of not reviewing a book once it is already out, but who will only feature books in their reviews that are forthcoming.
This is all very exciting. I think I've been dreaming about this since, oh, 1980 or thereabouts. It's gonna happen. I get to tell my story at last.
————————
Index of all Blog Posts
I will, however, take this opportunity to introduce my team. Yay, I have a team!!! I do!!!
First off, meet my literary agent, Sheree Bykofsky, of Sheree Bykofsky Associates. She now lists The Story of Q: A GenderQueer Tale, by Allan Hunter, as one of the books her agency represents.
I first interacted with Sheree Bykofsky and her agency in October of 2013. Hers was the first agency to indicate a serious interest in the book, and they asked me to submit a formal book proposal. I did not have one. I was given some examples and general instructions on how to assemble a formal nonfiction book proposal, and that proposal, with occasional minor modifications, was the proposal I sent out a total of 163 times.
Sheree Bykofsky Associates ultimately decided not to represent my book in 2013, probably for legitimate reasons (it was still pretty rough around the edges—something that's easier for me to see in hindsight after it's been revamped and polished a few times).
I did not, in fact, ever succeed in luring any literary agent into representing my book until after I had secured a publishing offer from EC Books through a direct query. That, also, is probably for legitimate reasons. My book is a narrowly tailored book, a niche book for the most part, although there could not be a better time to be coming out with a book about an additional and different gender identity. It's at least momentarily a trendy social topic. Even so, it's not a mainstream book of the sort you'd pick up at the Penn Station bookstore while waiting for your train.
The reason I wanted a literary agent ANYWAY was that I'm a total newbie and I wanted someone who could tell me when I was being reasonable and when I was not, and when my publisher was establishing normal industry-standard contract terms and when they were going pretty far afield of that. And how to express my wishes and concerns in such a way that I'd be most likely to get the concessions I wanted without making the publisher regret having decided to have anything to do with such a prima donna.
Sheree Bykofsky has been wonderfully supportive, available to me as someone I can write back and forth to informally and openly, and who will then don her professional persona and craft business letters, negotiating on my behalf, protecting my interests.
Then I sought out and found a publicist. I'd been warned away from doing so by many authors, including the opinionated crew at Absolute Write Water Cooler as well as several bloggers, warning me that they often don't do much that an author could not do on their own to publicize a book, and that some of them aren't very ethical and just run off with the author's money. Yeah yeah, I appreciated the warnings, but I know where my talents lie and where they do not. The publicizing of my book could not possibly be in worse hands than my own. I could go up to a randomly chosen homeless person on the sidewalks of New York and hire them and the project would be better off than with me relying on my own skills.
What I did was research the matter and found a web site of biographers (close enough to memoirists for my purposes) that maintained a list (Boswell's List) of professionals that several of them had had good experiences with.
I went with John Sherman, who was praised for the excellent work he did for the author of a biography about an industrialist that no one had heard of. The author was similarly an unknown person. So I contacted him and we had a good conversation on the phone. He was quick to embrace the project, to see the book as an important book that SHOULD be out there, that SHOULD be read, and he will be helping me to market it, firstly to academics—to women's studies and gender studies professors teaching courses for which it would be relevant text.
I'm already making him a busy person. He has a good sense for what info and other preparations we need for marketing endeavors down the road in ways that I am ignorant of. For example he says we need to target book reviewers who have a policy of not reviewing a book once it is already out, but who will only feature books in their reviews that are forthcoming.
This is all very exciting. I think I've been dreaming about this since, oh, 1980 or thereabouts. It's gonna happen. I get to tell my story at last.
————————
Index of all Blog Posts
![[identity profile]](https://www.dreamwidth.org/img/silk/identity/openid.png){kind=small}
no subject
Date: 2016-09-15 12:20 am (UTC)Actually, no need to credit your pre-proofreader here or now. I can't wait to see the book in actual print, the cover art displayed on the EC website as well as your agent's website, and your publicist's too!
no subject
Date: 2016-09-15 12:47 am (UTC):)
no subject
Date: 2016-09-15 08:08 am (UTC)Did I ever tell you about the time an agent from a Major Agency in NY took my movie script and ran? He changed agencies, took my script with him to LA, and left little trace of it at his former agency. Tracked him down back in the pre-internet days with the old gumshoe routine and he said "oops, was that your script with your name on it?"
Well done, but leave the meat for the dogs
Date: 2016-09-15 11:20 am (UTC)You have been busy doing wonderful things for the world. Congratulations! I will forward to buying your work.
Judy Ross
no subject
Date: 2017-01-24 12:27 pm (UTC)no subject
Date: 2017-01-24 12:27 pm (UTC)